Barker, Lynn. "Emily Browning: Violet the Inventor." A Girls World. 2005. Web. 19 Apr. 2012. <http://www.agirlsworld.com> This popular source was only used for the actor’s perspective on wearing the garments, she describes issues she found in protecting the garments 

on set. 

Cole, Holly, and Kristin Burke. Costuming For Film: The Art and The Craft. Silman-James Pr, 2005. Costuming For Film: The Art And The Craft (9781879505803): Holly Cole, Kristin M. Burke: Books. Silman_James, 30 Sept. 2005. Web. 19 Apr. 2012. This scholarly source allowed me to understand how best to talk about the different design positions that construct a costume department. It provides a very in depth sampling of explaining the many complicated facets that make up this profession. 

Creeden, Molly. "Breaking Out: Trish Summerville On Her New Collection at      H&M."Vogue.com. Conde Nast, 13 Dec. 2011. Web. 19 Apr. 2012. <http://www.vogue.com>This article provides up to date information 

of current collaborations. It describes Trish Summerville’s involvement 

in the design process for The Girl with the Dragon Tattoo H&M collaboration. 

Freydkin, Donna. "'Sweeney Todd' Cuts a Fine Figure, Thanks to Costume Designer." USA Today. Gannett, 1 Mar. 2008. Web. 19 Apr. 2012. <http://www.usatoday.com> This popular source provides insight into the characters Sweeney Todd, Mrs. Lovette, and Judge Turpin from Colleen Atwood’s costuming experience. She discusses the character’s breakdown and how she integrated aspects of their character into her  designs.

Gallagher, Brian. "Colleen Atwood Talks the Costumes of Alice in Wonderland." MovieWeb. 29 May 2010. Web. 19 Apr. 2012. <http://           www.movieweb.com> Interview with Colleen Atwood for Tim Burton’s Alice in Wonderland. She discussed her challenges for other movies as

in comparison with what she faced working on Alice. She briefly mentions costuming for CGI.

Hanel, Marnie. "From Sketch to Still: The Costumes and Tattoos in The Girl with the Dragon Tattoo." Vanity Fair. The Hollywood Blog, 6 Jan. 2012. Web. 19 Apr. 2012. <http://www.vanityfair.com> This popular source  explains the importance of working with a costume illustrator. Summerville also provides insight into her wardrobe selections.

Hilferty, Susan. "Susan Hilferty - About." Susan Hilferty. Thebrandonstore.com, 2008. Web. 19 Apr. 2012.<http://www.susanhilferty.com>. Susan Hilferty’s website has to be the most accurate information source on the designer about her work. I discovered the vastness of her body of work. As well as had access to many images from the performers on stage to her own personal illustrations.  

Maginnis, Tara. "The Costumer's Manifesto." The Costumer's Manifesto. William Baker, 18 Aug. 2002. Web. 19 Apr. 2012. <http://

www.costumes.org>. This academic source provided me with a statement of purpose and ethics for Costumers. Her Manifesto found 

during the last weeks of writing allowed me to find a better flow in connecting my entire paper. The author is a professor and has received her Ph.D. 

Nadoolman Landis, Deborah. Dressed: A Century of Hollywood Costume Design. 1st ed. Harper Design, 2007. Print. Showcasing one hundred years of Hollywood's most tantalizing costumes and the characters they helped bring to life. Drawing on years of extraordinary research, Landis has a vast collection of costume sketches and photographs - many of them previously unpublished - and a dazzling array of first-person anecdotes that inform and enhance the images. Along the way she also provides a behind-the-scenes look at the evolution of the costume designer's art, from its emergence as a key element of cinematic collaboration to its limitless future in the era of CGI."--Jacket

Reddy, Sridhar M. "In Memoriam: Eiko Ishioka (1938-2012)." Lilith. Pixel Union, 22 Feb. 2012. Web. 20 Apr. 2012. <http://lilith.tumblr.com>. 

I used this popular source because this author has a keen insight into the messages that Eiko Ishioka was conveying in her work. 

Schwartz, Missy. "Opening The Kimono." EW. Entertainment Weekly, 11 Nov. 2005. Web. 19 Apr. 2012. <http://www.ew.com>. I used this article to 

learn more about Colleen Atwood’s process in designing. It helped me to understand how she adapted the shape of the traditional for a contemporary audience. She also discusses her method for using prints in her designs. 

Studeman, Kristin. "Summerville Brings Salander To H&M." Web log post. Style.com. Conde Nast, 12 Dec. 2011. Web. 19 Apr. 2012. <http://ww

w.style.com>. This popular source provides a blog article as well as an interview with Trish Summerville on her experience working on the 

and how it translated to the collaboration experience with H&M.  

No name articles;

"BIG FISH - Production Notes." CinemaReview. Web. 19 Apr. 2012.

<http://www.cinemareview.com/production.asp?prodid=2344>. This popular source was one of the few I could find with information related to Colleen Atwood’s work on this film. 

"Q&A with Susan Hilferty, Costume Designer." SHN. Web. 19 Apr. 2012. <http://www.shnsf.com/news/article.asp?key=1552&subkey=356>. This popular source provided me with a key interview with Susan Hilferty. She reveals what it was like to work on the production of Spring Awakening as well as her own personal inspirations. 

"Meet the Creators of Varekai | Cirque Du Soleil." Cirque Du Soleil. Web. 20 Apr. 2012. <http://cirquedusoleil.com> This popular source provides the perfect insight into Eiko Ishioka’s time designing for Cirque. I enjoy her quotes about her enthusiasm for getting the job, and how she had already been caught under the Cirque spell.